Form Integration

In the series “Habitat” Belgium photographer/artist Xavier Delory looks at prefab houses. House that can be found on the countryside of Belgium. And perhaps even in other western countries. One specific type of houses can be found here, called ‘Clé sur porte’. Or “Turnkey”. From which the definition is” Urban prefab cluster of similar forms implanted in the landscape without any effort of integration.

I look at the photographs and see visually interesting landscapes. Xavier depicts these houses almost as a representation of a social mega-trend. With little adjustments to the houses we see a closed up habitat were we, the individual, live our lives. Perhaps the words “without any effort of integration” says it all. We are all living in a society that builds on individuality by presenting us choices. And in the end the choices made per individual are not so different at all, yet we all feel unique. And all life our close-up lives without really trying to integrate.

Xavier Delory’s website: www.xavierdelory.be 

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Cozy Commuters

Earlier on PforPHOTO I posted about a series by Michael Wolf  in which he photographed windows and the small cities that exist behind them. A voyeuristic series called Transparent City. His new series, again photographs taken through windows, shows us the commuters of the Tokyo subway system. The many people (2.8 million a day) who rely on this rapid transit system are all packed neatly into small compartments.They all commute cozy together.

The photographs that Michael Wolf has taken gives us a look into the day-to-day lives of Japanese commuters. Damp windows. Emotionless faces. Portraits of people who are compressed together. Portraits of people who pause their lives from the moment they set foot on world’s busiest subway system. All on their way to do what they do. Everyday the same. Everyday together. The series is called Tokyo Compression.

Michael’s website: www.photomichaelwolf.com

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Different Shades of Black

Dutch photographer Arjen Zwart, based in Istanbul, Turkey, photographs the back alleys of Istanbul in his series ZIFT. He finds art on the walls of buildings. The walls have been treated with tar to make them waterproof. This practical usage of this black stuff brings about unintended beauty, or pieces of art as he calls it. And it reminds him of the works of great artists like Mark Rothko and Kazimir Malevich. The different shades of black, the structure of the walls and the surroundings make for some beautiful photographs. Arjen makes us look differently at the ordinary structures and buildings surrounding us. And showing us the abstractness and beauty in these ordinary places.

Arjen’s website: www.arjenzwart.com

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Defying Objectivity

One of the wonderful things art can do is make you look at the world differently. French artist Philippe Ramette‘s photographs do just that. If you still believe photography gives an objective view of our world, Phillipe Ramette surely shall make you think twice. And if you think Photoshop has something to do with his photographs, you are wrong. Ramette’s playing with gravity like many art works do with ones emotions. His surreal works of art not only makes you think differently about the art form of photography but also about men’s relation to nature and its rules.

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Tangible Value

Next time I’ll find myself in San Francisco, I’ll make sure to pay a visit to Photobooth. And you should too. A retail space for classic camera gear and a gallery. But more importantly a tiny type portrait studio. They will photograph you in a unique way. On an aluminum tin type plate your portraiture is developed  in a 19th century style. This old technique shows the beauty of photography and the quality it has. Co-Founder of Photobooth Michael Shindler started this studio as a way of putting tangible value back into the typically digital medium.

And this tangible value is being put back by many others. Many photographers featured on PforPHOTO still shoot analog, e.g. Ian Ruhter (also tin type), Misha de Ridder and Alec Soth. They often describe one of the reasons of doing so, the focus it ask of you, the photographer. And if you add that wonderful quality it brings about, you can imagine why many artists love analog large format photography. Even I have bought a Linhof 4×5 field camera last year, for the same reasons.

Please watch the clip about Photobooth featured by Cool Hunting below. And the article about Photobooth at Cool Hunting can be found here.

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