Beijing Silvermine is a unique photographic portrait of the capital and the life of its inhabitants following the Cultural Revolution. It covers a period of 20 years, from 1985, namely when silver film started being used massively in China, to 2005, when digital photography started taking over. These 20 years are those of China’s economic opening, when people started prospering, travelling, consuming, having fun.
The art of Fashion needs to be covered. And photography is perhaps the perfect way to capture and share those new styles and trends in fashion. And with social media and fashion blogs on the internet it’s easy to reach a large crowd fast. The editors and photographers of these blogs swarm around the fashionable people attracted by Fashion Weeks held around the world. Chasing them, photographing them and in a way consuming their fashion styles to be shared among their hundreds or thousands, perhaps millions followers.
The short documentary created by Garage Magazine is called Take My Picture that explores this explosion in Street Fashion Photography.
When we set out to make this short, our intention simply was to observe the phenomenon of fashion bloggers and street style stars. As we started to review the footage, two salient trends became apparent: fashion editors frustrated by the ensuing commotion outside of shows, and the rise of “peacocking” street style stars as a result of the proliferation of blogs. This film examines these themes from both perspectives. – GARAGE MAGAZINE
Every artist will create a self-portrait once in a while. Whether it’s a study to try out some new ideas or a piece of remembrance for history’s sake. Rembrandt did it. Picasso did it. Cindy Sherman became famous with it. And today it seems that Photoshop gives photographers the same freedom every painter enjoys when creating something. Yet there are still artists out there who create everything without that useful digital tool.
And that makes the work of Laurence Demaison, French artist, even more wonderful and special. She’s an artist who shoots on film. The photographs are not manipulated afterwards. Sometimes she does play around with the chemicals a bit, but that’s it. Her work consists out of self-portraits that give me a sense of deepness and seriousness. The distortion of herself seem to resonate a deeper meaning. A meaning that go further than only her self-image. Often the finished images shows us a figure, not immediately recognizable to be Laurence herself. Her work brings me in a melancholic state of mind. What it does with you? I don’t know. Visit her website and see for yourself.
Belgium photographer Stephan van Fleteren is a true master in portrait photography. With an analog camera and black and white film he portrays the Belgium and Dutch famous ones. The high contrast he puts in the photos creates some true iconic mages. The grainy and high contrasts delivers a high impact and focusses the attention to the person in the photograph. And by his style it is almost like telling a story with just one image. What that story is, is up to the viewer. He manages to capture the people in such a way that his presence seems of no influence. Resulting in very wonderful and pure photographs.